作为场景建构/解构的艺术介入：跨文化展览语境下洪堡论坛康熙宝座陈列研究

摘要

本文立足跨文化展览分析的研究视角，在博物馆学与艺术史研究的框架下以个案研究为基本方法，考察一组战乱年代自中国流失海外的康熙宝座及其屏风：它们由达勒姆亚洲艺术博物馆迁入深陷殖民历史争议的洪堡论坛，并获得了全新的陈列方式。本研究着重探讨在艺术介入之下展品与公众相连接的情境化手段。在探索阶段，洪堡实验室达勒姆项目中的“权力的游戏”提供了多种版本的阐释，最终促使博物馆改变原有的场景复原方案，转而邀请中国著名建筑师王澍完成屋顶装置。在建构与解构之间，艺术作品的场景介入为跨文化差异的呈现建立起结构性描述，并以其诗性的、拉开距离的阐释容纳来自不同立场的伦理张力，同时为在历史与当下的交汇处理解民族国家的多重面向提供了一种共享的语言。

Abstract

Based on the research perspective of cross-cultural exhibition analysis, this paper takes case study as the fundamental methodology under the framework of museology and art history research in order to analyse the new display of the Kangxi throne and its screen, which were lost overseas from China during the war years and have been transferred from the Museum of Asian Art in Dahlem to the Humboldt Forum, which is deeply involved in the controversy of its colonial history. This study primarily focuses on the situational methods in which the exhibits were connected to the public under artistic intervention. In the exploratory stage, the “Game of Thrones” project in the Humboldt Lab Dahlem programme offered multiple versions of interpretations, which ultimately prompted the museum to change the scene restoration plan and invite the famous Chinese architect Wang Shu to complete the rooftop installation. Between construction and deconstruction, the artwork’s scenic intervention creates structural descriptions for the presentation of cross-cultural differences, and accommodates ethical conflicts from different sides with its poetic, distanced interpretations, while providing a shared language for comprehending the various facets of nationhood amidst the intersection of history and the present.