明代八吉祥纹样研究

摘要

“吉祥”是中华民族长期以来的共同追求，也寄托着中国人对未来的美好期望。在中国悠久的历史中，吉祥元素代表着祥瑞之兆，在中国传统文化中占有相当比重。本文所考察的明代万历年间蓝地缠枝八吉祥织金缎，纹脉较为清晰，现藏于中国丝绸博物馆，保存完好。整体而言，该织物以深蓝为地，金线满布非对称纹样，呈现出较为完整的缠枝纹样。与此同时，现有关于八吉祥纹样的相关研究主要集中于不同时期八吉祥纹样在瓷器上的运用、在建筑内外装饰中的运用，以及在寺观壁画人物描绘中的运用。

Abstract

"Auspiciousness" is the common pursuit of the Chinese nation for a long time, and it is the hope of the Chinese people for the future. In the long history of China, auspicious elements represent good omen and have a considerable proportion in Chinese traditional culture. In this paper, the Ming Dynasty Wanli period, blue ground wrapped branches eight auspicious brocade, with a relatively clear vein, existing in the silk Museum of Hangzhou, China, well preserved. Overall, this fabric is dark blue as the base, and the gold thread is covered with asymmetric patterns, showing a relatively complete pattern of wrapped branches. At the same time, the existing relevant studies on the analysis of the eight auspicious patterns mainly focus on the application of the eight auspicious patterns on porcelain in different periods, the application of the eight auspicious patterns in the internal and external decoration of buildings and the application in the depiction of figures in temple mural.